The Master Guide to Drawing Anime: Mostly Adorable

The Master Guide to Drawing Anime is more than just a pretty picture book. It is a good introduction for the beginner artist on how to draw in the manga/anime art style!

I'm always surprised when I read "how to draw" books and find useful tips in them to improve my drawing skills. You may find this silly, but I rarely read these books. I tend to use only half of the reference— the visual half— to add details to my own work. But the written half is incredibly useful as well. It tells you what you might not have picked up from the pictures alone: how and why the image works.

Christopher Hart delivered a good guide. In this book, Hart demonstrates "how to draw original characters from simple templates." The text accompanying the images is concise, but pertinent. He points out how small changes can make a big impact on your image. And all throughout, these changes will have a bearing on the character you create. That was probably my favorite part. Redrawing a character to look the same through a series of poses, actions, and outfits is difficult, so I'll take any help I can get with that. This focus on creating characters and keeping their looks consistent through multiple images makes this guide a wonderful reference for fledgling comic book artists. However, I wouldn't refer to this as a "master" guide. The book is split into six parts: schoolgirls, schoolboys, preteens, charming villains, humor in anime, and fantasy characters. Of these six, the bulk of the content is in drawing schoolgirls.

I guess drawing girls is more fun than drawing boys?
Maybe? I have a lot of fun drawing girls and women in a manga style, but that doesn't mean I wouldn't like to include boys and men in my drawings. I just found it odd how many more examples were available on how you could radically change a character type/personality (with a quick-change of hair, clothes, or expression) for girls than there were for the boys. And the schoolgirl section was the best illustrated and most informative section of the book also, with the preteens chapter being a close second. Perhaps Christopher Hart just loves drawing schoolgirls and preteens more than anything.

Are you saying—?!
Nothing pervy, you perv! All I'm saying is that those sections of the book received the most amount of love.

When you say love...
I'm saying detailed descriptions, variations, and full-color images for certain chapters and not others. If you do anything creative, there are certain things that you prefer to do over others. Given the attention to detail on these, I would say that "charming villains" are not on Hart's list of favorite things to draw. There were only two types: both male, based on the same body type, and they weren't even done in color. They were boring. The fantasy section of the book was a little longer and contained color images, but little variation. Furthermore, those drawings were all female and they all had essentially the same facial expression.

Overall, I feel as though Hart's enthusiasm and passion extended to only the first half of the book— a little like my enthusiasm for this review. The second half was "serviceable," at best. With the exception of the villains section, I enjoyed the artwork, and the tips on keeping character consistency. Depending on where you're at in your drawing skills, you might find this useful. But it isn't a "master" guide, or anything close to a definitive one.

One last thing to note before I go: After puzzling (loudly and repeatedly to my husband) over why the style of the art varied as much as it did from one section to the next, he pointed something out to me. This was not all drawn by the same artist. There were multiple contributing artists, and I don't think Christopher Hart was even one of them, though he did write the book.
So there you have it! My opinion hasn't changed much, but my jokes make less sense now.

Thanks a lot, Christopher Hart.

Magnificent Mosaics: Stained Glass Coloring Book

I'm going to stop pretending that eventually I'll stop reviewing coloring books. A while back, I think it was reasonable to assume that I could stop reviewing coloring books because I generally don't buy them! This, however, was a special circumstance!— it was on sale, and I'd never seen a stained glass coloring book before!

So what's so cool about it?
This book is all intricate mosaic patterns on transparent coloring paper that allows light to filter through it, mimicking stained glass. There are fifteen images included in Magnificent Mosaics: Stained Glass Coloring Book, and the pages are perforated so that you can stick your finished artwork on your windows and enjoy the pretty colors!

If you are as hopelessly addicted to coloring books as I am, you've likely noticed that most adult coloring books have faith that you will:

1. Finish coloring an entire image or five before you die.
2. Color it well enough to want to frame it.
3. Frame it.

I don't know about you guys, but for all the coloring books I now own— more than one, but fewer than all of them— I've yet to completely finish coloring even a single image. Furthermore, even if I did finish an image, I don't know that I would like my work well enough to consider framing it. So while I appreciate that books have that level of confidence in me, framing will probably never happen. Meanwhile, Magnificent Mosaics: Stained Glass Coloring Book says: "Stick this in your window! Enjoy the light show!" And I can completely get behind that! So I think I have a better chance at actually finishing some of these images, since all they require of me when I'm done is a window and some tape.

Find me on Amazon!

If there is one thing that I am not entirely pleased with in regards to this book, it is that there are only fifteen images. For a $7.99 coloring book, I would have liked to get more images. Of course, if this were a normal coloring book and not a stained glass coloring book, I probably would have. So keep that in mind: what you lose in images to color, you gain in a different kind of paper and a different coloring experience. If you're not a fan of stained glass, but you like mosaics, I encourage you to try Magnificent Mosaics instead! This older coloring book is less expensive than its newer, stained glass version and contains 30 images for you to zen out with. The stained glass coloring book actually consists of excerpts from this older Magnificent Mosaics, but on that transparent paper. Or get both of them! Either way, I recommend them: I liked the artwork, the transparent paper is fun, and if you never finish an image you will still have fun trying.

Celtic Spirit Coloring Book

You have to ask yourself just one question before you decide to get this book. Do you like intricate, Celtic knotwork? Well, do you? I know I don't! (Or at least, I don't care about it.) But I knew that going in, and I'm certainly not holding it against Celtic Spirit Coloring Book that knotwork just isn't my thing. That being said, if it's your thing, then congratulations: I found you a cool coloring book!

Maybe, like me, knotwork isn't really your thing either. That's okay. There are still some neat things for you in Celtic Spirit. There are 78 intricate images in this book, including some that are two-page spreads. Each image is a labyrinth for your colored pencils to get lost in. At times, I've found the images overwhelming! I have a tendency to try shading every little thing in the images I color. Almost nothing gets a flat color in my coloring books. But with this, I find it difficult to imagine coloring it any other way. How could I possibly keep up with my color scheme unless I pick my way from one end of the knot through its many loops, swirls, and tucks until I've completed it through to the other side? Again: not really my thing— but I can see how that could appeal to some people. If you're willing to get lost in that maze, I can see how this might be meditative for you. My favorite images have a nice balance between tiny, tight knots and the bigger, looser knots. These happen to include some excellent animal imagery, including dragons. (I know, what a shock: I like dragons! GASP!)

Finally, let me tell you about the paper itself: looks standard. The pages are thick enough that I think they may hold up to markers, but not to too many passes. Unfortunately, I can't test it, since this is a gift for someone. I'd stick to my colored pencils for it if this were my copy. The introduction also suggests that if you're particularly pleased with your work, you can frame and display it— or even gift it to someone! Of course, you could do this with any of the pages you color in any coloring books, but other books make it easy to do. This one does not. The pages are double-sided, and they are not perforated. Get ready for some book surgery if you decide to excise any of the images.

Overall, I would say Celtic Spirit is a decent coloring book, and you have better than even odds of liking it. Enjoy!

Johanna's Christmas: A Festive Coloring Book

You didn't think I was done with coloring books for the year, did you? Before the year is out— and while it is still somewhat relevant— I wanted to share Johanna Basford's newest coloring book with you: Johanna's Christmas. Unlike A Christmas Carol coloring book, this one is definitely more my speed. The focus in this one is more on festive imagery: wreaths, ornaments, candy canes and gingerbread houses, deer, wrapped gifts, and tons of other stuff. There are beautiful trees to color, wreaths made of ornaments and tiny deer, and even a sleigh full of presents!

If you've read my reviews on other Johanna Basford coloring books, you are probably not surprised that I'm a fan of this. The artwork is still fantastically fun to color. If you've liked any of her other books and you like Christmas, you will like this book. A couple of other things to keep in mind about Johanna's Christmas are: the pages are single-sided— sort of. Behind every major image there is a grayed-out wallpaper image. Could you color? Absolutely. Would I count it as an actual image? No. These include wallpapers of ornaments, vines of holly, and presents. That's about it. The pages themselves are also pretty thick, and so I would consider this a perfect opportunity to go crazy with your markers. And if you're one of those people who agonizes over what colors you'll use with a given image, fear not! There is even a blank page in back specifically designated as your "color palette test page."

Overall, if you got this in your stocking this year: Congratulations! If not, go order it. It's worth it!

A Christmas Carol (The Coloring Book)

Oh damn! Christmas is over, and now I show up with something holiday themed? I just can't seem to get my act together this year... Sorry guys!

Actually... HA!— joke's on you, because I'm Puerto Rican! And to us, Christmas lasts through the first week of January and then some! So prepare yourselves for: Charles Dickens' A Christmas Carol: A Coloring Classic.

First things first: I realize I've reviewed many coloring books this past year. With so many available and being marketed to adults, my childhood passion for hoarding these was rekindled. As a kid, I had tons of coloring books, but I rarely colored. Instead, I copied the pages and used them as references. I was terrified of messing up the artwork. As an adult, I have so many hobbies that I rarely have time to actually color the artwork. Let's face it, there are plenty of other things that need to get done— like the laundry. Sometimes, I consider coloring and end up drawing and painting instead. But I still love these books, so my hoard continues to grow.

Most recently, I acquired A Christmas Carol: A Coloring Classic from a friend who is not a fan of it and wanted to re-gift it. I feel a little bad for this book because it seems to me that it would have a pretty small, potential fan-base. Really, who thought this was a good idea? In order to enjoy this book to the fullest, I imagine you have to be a fan of Dickens' A Christmas Carol, coloring books, and coloring in people. I have a preference for coloring animals, patterns, and anime characters, so this doesn't totally suit my tastes.

However, the illustrations are done well and detailed. The pages are double-sided, but fairly thick. You can probably get away with using markers, assuming you don't color over the same spot repeatedly. I think colored pencils would be a better option, though, to be safe. Surprisingly, what this book contains the most of are pictures of people— generally in the form of scenes from the story with accompanying quotes— and images of food. Prepare to be hungry after coloring this in. Also, while it does contain some abstract-ish images (food floating in space, for example), there are no repetitious "wallpaper" pattern images. Overall, I think it's a good variety of images to keep your interest. Assuming, of course, that you're interested in coloring A Christmas Carol.

I think what might draw people to this book initially is the beautiful cover: a profusion of flowers, holly, bells, and candles on a red foil background— and Scrooge on the top left corner. Honestly, the cover has caught my attention on more than one occasion in stores. But then I see A Christmas Carol and move on with nary more than a "meh" towards it. Ultimately, not my kind of coloring book. But if you're really into A Christmas Carol, coloring, and great artwork, you'll definitely enjoy this book!

The Food Lovers Make it Paleo Cookbook

You see? I'm not the only one who thinks so!

Is there any word in the English language more frightening than "Diet?" Especially at this time of the year, when one of our greatest pleasures as Americans is to dress up in costumes all month long and stuff our faces full of delicious sugar? Perhaps. But "diet" remains one of my least favorite words, capable of causing haunting nightmares.

Privileged much?
Yes, but that's not what this post is about. It's about a cookbook that doesn't even make mention of the word "diet," which is one of the reasons I like it so much.

That was an unexpected turnaround!
Yes, thank you. Before we move on to the actual book review, you should know something about me: I don't really cook. I know a few recipes by heart— they're simple, straightforward, and will feed me for the better part of a week with only thirty to forty minutes of effort on my part. I like these recipes because I am a lazy cook. I've also already practiced eating Paleo(ish) before. It is also fairly straightforward, but even a lazy cook gets tired of eating the exact same thing on a daily basis.

The Food Lovers Make it Paleo cookbook contains "over 200 grain-free recipes for any occasion." Not all of them are made with the lazy cook in mind, but I'm happy to report that not one of the recipes made me think I needed to be an accomplished chef to make them. The recipes are formatted so that— at a glance— you can see: the ingredients you need, the process to make them, difficulty, estimated prep and cook time, and how many people it serves.

As with many cookbooks, the recipes are separated into different meals (breakfasts, appetizers, entrées), as well as side dishes, sauces, and treats. This makes figuring out what you want to eat the following day especially simple. Feel like changing up your breakfast routine? Go to the breakfast section! Is your favorite thing in the world chicken but you want to change up the side dishes for dinner? Go to the side dishes section! What if you tried one of the recipes, and maybe you weren't a fan of most of it, but hot DAMN! That sauce that you had on it was the best thing ever and you could drink it by the gallon? The sauces are in a separate section. You can find most things quickly in this book.

What if nothing in my kitchen is set up for eating like a caveman?
That's okay! If you think you'll be making many of these recipes, it may be a good idea to rethink what you stock in your cabinets. None of the ingredients needed are necessarily difficult to find, and there is a chapter devoted to "the Paleo Kitchen." Therein you will find what authors Staley and Mason recommend as key ingredients to keep handy in your kitchen, tools to make your life easier, and "basic cooking tips" (for people like me who know only the most basic anatomy of the stove).

But how will I know what's good to eat? Isn't that what REALLY matters?!
Generally we're not supposed to eat with our eyes, but since I cannot know what a recipe tastes like until I make it, I go by the pictures. Make it Paleo is beautifully illustrated, and everything looks delicious. And if you're not sure what to pair together for an amazing meal, well they've got you covered there also with some suggested menus for special occasions!

You might like this book if:

1. You're already a fan of the paleo lifestyle and you want additional recipes
2. You're looking to improve your health by cutting out some common processed ingredients.
3. You like food.

Sorry guys, I really can't think of a reason you might not like this book. Unless you're completely vegetarian or vegan, in which case half of it might not apply to you.

Halloween Freebies!

I'm currently working at a Halloween City. I could've started blogging about Halloween in August.

Hey guys! I just wanted to point you towards some books I found free on Amazon. No particular reason other than "people like free stuff, right?" Some of these books I have read before, and others I'm going to try out this month. Care to read with me?

I mentioned How to be Dead to you last year on Halloween, then I went on to read it. You know what? It was hilarious, and I loved it. The first book is still free on Amazon, and the second book— Paper Cuts— is well worth the $2.99. They're short, horror comedies and you really can't go wrong with them. I'll probably review these two sooner rather than later. The only thing that bugs me is that there is a third book in the works, and it isn't finished yet. So I'm bummed about that, but these two are still so worth your time.

Did you know that a metric butt-ton of classics are available for free on Amazon, if you're getting them on Kindle? I mention it because I forget all the time. Since Kindle is my digital platform of choice, I started loading it up with all kinds of stuff for the season, including: Frankenstein, Dracula, The Strange Case of Dr. Jekyll and Mr. Hyde, The Picture of Dorian Gray, and War of the Worlds. If you've read them before: good for you! I read Frankenstein in high school, and Dracula during college. Though they both started slow, they got much better. I was even able to get over having to read in the dreaded first person perspective during Dracula. Before the month is done, I hope to get around to The Picture of Dorian Gray, and Dr. Jekyll and Mr. Hyde. I'm one of those people that likes getting around to the classics. It gives me more meme material.

I hope this will keep you all satisfied for a couple of days at least. Enjoy! And if you have a minute, leave me a comment with what your reading list looks like for this month. I like getting recommendations too, you know!

Art of Coloring Disney Villains

How do you like your Disney villains? Do you like them devious? Cunning? How about hipster-y, self-centered, and covered in patterns? Then have I got a treat for you!

I see you found a Disney coloring book more suited to your tastes.
Yes, though I only had a chance to flip through it. Art of Coloring Disney Villains is a little thank-you gift I bought for one of my friends. It's weird at times, but thankfully still entertaining. Unlike in the Disney Princess coloring book, the characters in Disney Villains are allowed to express a wide range of emotions while reenacting scenes from their movies or otherwise posing with new, "updated" material. Probably one of the funniest examples of this are the several images of Gaston from Beauty & the Beast as he takes an endless stream of selfies on a smart phone. Yeah. Wrap your head around that one. You'll see it makes complete sense— if he had a smart phone. One of the repeating "wallpaper" images is multiple villain faces wearing hipster glasses. Weird? Yes. Entertaining? YES.

The book is split into several different sections: animal kingdom, strictly human, and witches/creatures. As an unexpected bonus, most of the villains in the book also have a small, card-size portrait with information regarding: their movie, when it was released, and who voiced them. As with Art of Coloring Disney Princesses, this book is also that strange kind of hard cover (where it's a soft cover book with cardboard on the front and back). I still don't get it, but since the images were so much more fun for the villains, I really didn't mind so much. My favorite thing about this book, though, is that each of the villains has at least one image that include the movie's heroes as well. In each of these, the villain looks (appropriately) menacing— or looms over— the heroes/heroines; especially Izma from Emperor's New Groove. So what if they drew her with a piece of spinach stuck in her teeth? She's still a badass!

If you're interested in purely classic villains doing only what they do in their movies, I recommend you move along now. As previously mentioned, they took some liberties with these characters. However, since they are still "in character" for the most part, I forgave the artists and would be happy to have this book for my very own. I recommend you get one for yourself as well!

Hello, Bicycle: A love letter on two wheels

Mango and I went to the e-cycle place in town to get rid of an old scanner,
then treated ourselves with a trip to the library!

My husband spoils me: for my birthday he bought me a shiny new bike. Though I originally intended to get a folding bike (for easy storing and getting around town), the folks at our local bike shop pointed out this beauty and I fell in love with it. I call her "Mango," and I take her out for rides as often as possible. Though Mango and I are probably in the honeymoon phase of our relationship, it is clear that Anna Brones and her bike are not. She obviously has a deep, abiding love for her two-wheeled conveyance. Hello Bicycle is clearly her love letter to bicycles with added useful information to their riders.

You are a woman of strange passions...
I am a woman of varied passions, that's all. And bicycling is now one of them! I requested Hello Bicycle from Blogging for Books— in exchange for an honest and fair review, of course— because it promised a "practical guide to the bike life with real-world advice" which I hoped included how to fix a flat tire. Honestly, I wasn't sure what to expect beyond that, and I was happy that I got it! I suspect Anna Brones is a woman of varied passions as well, since she includes more than just bike history, maintenance, and various reasons you should dust off your bike and get pedaling. Were you wondering what you could do with a bicycle beyond going for a joy ride? Ultimately we ride because we want to and it's enjoyable, but had you considered other possible biking adventures like camping, touring, or just commuting? And how will you remain fueled? Brones includes snack recipes to keep you pedaling, gear that might make your life easier if you want your two-wheeled steed to be as utilitarian as possible (or you want to go touring), and even up-cycle projects you can do when you inevitably get a flat tire (or two) and can no longer patch the tubes in your tires. All of that and more in a short book that you could read in an afternoon!

Overall, I would classify this book as a good, beginner "bike info sampler." You can tell with every sentence that Brones loves her cycling. She gives compelling reasons to add cycling to our everyday lives, as well as points out how easy it would be. If you haven't been on a bike since you were a kid, but you want to get back into it: this would be a good book for you. You'll get help figuring out what you need in a bike and additional resources to check out. If you're looking for something with more technical jargon, move along.

Art of Coloring Disney Princess: 100 Images to Lull You into a Catatonic State

This book was not made for me. When I see the title Art of Coloring Disney Princesses, certain expectations and standards come to mind. I expect a certain amount of froufrou nonsense and hoity-toityness featuring a pack of damsels in distress. Then I remind myself that "Disney Princess" refers to more than the classic damsels like Snow White, Sleeping Beauty, and Cinderella. My hopes rise, knowing that bad-asses like Mulan and Merida might be present. Let's not forget that Jasmine, Tiana, Rapunzel, and Belle are also intelligent, quirky, and brave. So I bought this Disney Princess coloring book with the expectation of seeing a variety of "princesses" doing and being more than decorative damsels in distress. Further, I expected the artwork would meet the high Disney Standards: interesting, dynamic, and beautiful. What I got amounts to little more than a Barbie-like coloring book with some characters standing or sitting around, looking pretty, with vacuous smiles plastered on their faces.

How do you know they're vacuous?
Because their eyes are glazed and unfocused, and they're staring at nothing in particular! The whole book is generic, discount, knock-off Disney at best! I find it insulting— to me as much as to these princesses— that they should take some genuinely interesting characters and have them only stand or sit, and smile at the camera. These ladies have better things to do! Tiana has work to do. Mulan has villains to outwit! For fucks' sake, Belle has a giant library to read, and Aurora could be taking a nap, and these artists interrupt their busy ass schedule to have them stand against a backdrop and smile?! Or they got a Disney Princess stunt double to sit/stand against a backdrop with infrequent wig and wardrobe changes.

You got a problem with looking pretty and having a rich husband?
Not at all! If you're pretty, have a rich husband, and that makes you happy? Good on you! I simply find it dull. My high school yearbooks were more interesting than that! Which leads me to my biggest problem with this book: It is mundane, uninspired, and mediocre. You're more likely to be lulled into a catatonic state while coloring these pages than be creatively inspired. But prepare yourself. There's a kicker. ... Are you prepared?

You're the Diet Coke of Disney. Just one calorie: not Disney enough.

I think so...
Of the approximately 120 pages to color, 98 are dedicated to generic, repeating wallpapers. I know. I counted. For the purposes of this math, I want you to understand that if the image was a mandala with a princess silhouette or a repeating pattern, I counted it as "wallpaper." Therefore, not really a princess. Just patterns. There were only 23 images of princesses (with vapid smile facial details), and even some of those pages were more patterns than princess.

Overall, I found this book terribly disappointing and misleading. It is monotonous at best, and I don't recommend it at all. In addition to all the problems with content, the book itself is odd in that it is a hardcover coloring book—

That's kinda cool!
—but the covers are actually just cardboard pieces stuck on the outside of a soft-cover book. It makes little sense, and it looks weird. It doesn't really bother me. I'm just annoyed at the book in general. But that does bring me back to my first point: This book wasn't made for me. I gave it to my friend, and he loved it. Know your audience, I guess. I bet my audience loves narwhals.

A is for Adventure: Part Coloring Book, Monster Manual, Campaign Guide. ALL Fun

The other day, I went on a little shopping spree for my friends. I am not allowing myself to spend much on myself lately, but I wanted to get a few little thank you gifts for my D&D group so... I bought coloring books. Of the three that I bought, my absolute favorite is A is for Adventure, by Scott Aleric. I want this book for myself and I want it now.

So the artwork is good?

Yes, but that's not all. This book is fantastic! I appreciate Aleric's style and the attention to detail. All the monsters are displayed in dynamic poses— typically in the process of mauling some foolish adventurer. The illustrations are worked in ink with full backgrounds and— Okay, you may find this a little bit strange, but...

I've read your other reviews. How could this be any stranger?

—what really does it for me is the hatch and cross-hatch shading. I love the texture it creates on the page. It's something that I just don't see all that much anymore, especially as more artists do digital art. And I haven't even told you about my absolute favorite part!

There's more?!

Yes! Included with each letter/monster is a mini campaign scenario featuring the monster, a small map, and even some plot twists to kick things up a notch. What I particularly love about these adventures is that they act almost as adventure-Legos: you could play with them on their own, put them together, or drop it in to your bigger campaign set. Tweak the scenarios to taste! Overall, I highly recommend this book! You'll like it too if you're into: 

1. Coloring! The pages are thin, but single-sided. No worries about markers bleeding through to the next page.
2. Role-playing! Mini campaigns need little customization if you're a lazy dungeon master or you just want to sample playing with friends.
3. Monster art! Most of the illustrations look like the monsters are winning. That's typically a plus in my book!

Have fun!

What Alice Forgot (Spoilers: It was a lot)

Alice forgot an entire decade: the birth and lives of her three children, divorce proceedings, and the existence of her best friend. Meanwhile, I was beating myself up because I forgot when, exactly, I picked up this book; I'm fairly certain it was within the last two weeks. I read it over the course of two days, and I daresay they were two days well spent.

The story begins with Alice dreaming of cream cheese. Why not? Dreams are typically pretty weird. Alice Love is 29 years old, completely enamored with her husband, and pregnant with their first child. Or at least, so she believes when she wakes up from the cream cheese dream. But the reality is that Alice is 39 years old. She is on the floor of the gym wearing clothes she would swear are not hers. And what is she doing at the gym anyway? She hates exercising!

Oh no...
Oh Yes: It's an amnesia book.

Gasp of Horror!
As luck would have it, it isn't as cheesy as a soap opera; we can all rest a little easier. The story actually reads a bit like a detective novel: a heart-squishing kind of detective novel. Even my little black heart was momentarily touched as Alice tries to find the truth: if she and her husband were so happy, how could they be getting a divorce now? Did ten years turn her into an unlovable bitch where the most important people are concerned? Did he cheat on her? Why is her sister, who was always her best friend, so distant now? What did a decade do? As previously mentioned: it did a lot. The story goes back and forth primarily between Alice's perspective and her sister Elizabeth's journal/letters to her therapist. Alice's amnesia is a sort of catalyst for everyone to examine their relationships and who they've lost touch with over the years.

This may have been silly of me, but I read this as a horror novel for a while.

You ARE silly.
I know, but it was scary, because I can relate to the younger version of the characters. I was telling my husband how horrifying it is that in ten years we might have accrued all these little hurts and resentments that might make us hate each other, which is basically what was happening to these characters. And then he said something that made it all better. "Clearly, they never had the poop talk." Because if you can discuss your bowel movements with your partner, you can talk your way through anything. And those petty hurts you're bent out of shape over? You gotta let that shit go. In summary, the characters in this book are emotionally constipated, and Alice's amnesia is the laxative they needed. Once she gets in touch with her younger self, she remembers that some of the stuff she's wound up in really isn't so important after all. And she lets it go. So far, this book may seem like a bit of a downer. For those of you who cannot read something unless it has a happy ending, you can add this book to your list of things to read. You're safe.

Overall, I enjoyed this story and would recommend it to most people. Since much of it centers around what it means to be a wife, a mother, and reproductive issues, I don't expect men would care too much for it, but they might gain some insights anyway. The only thing that I found particularly weird about it didn't even have anything to do with the story, but with the book itself. Right after you're finished reading, there is a page toward the end that includes a list of discussion questions. I found the story compelling enough that I asked myself questions as we went along: What my life was like 10 years ago versus what I think it will be like 10 years from now, what relationships I lost to distance or pettiness, how the different character perspectives added to the story, etc. Well, I'm not sure if Liane Moriarty expects her book to be taught in college, or discussed in book clubs and she just has no faith in her readers' ability to think critically, because I found the inclusion of discussion questions to be unnecessary and even pretentious. Other than that, I don't think you'll regret reading What Alice Forgot.

Pop Manga Coloring Book: Made of Manga & WIN

Holy crapsicles, Batman! Another coloring book!

You guys, I'm so excited! My copy of Pop Manga Coloring Book arrived and I'm thrilled beyond belief! At first I wanted it because it was another coloring book, but now that I've had a chance to experience the artwork— I'm in love. Not bad for having picked this up for free from Blogging For Books (in exchange for an honest and fair review, of course). This is officially my new favorite coloring book! Camilla d'Errico perfectly summarizes the book in her title caption: "A surreal journey through a cute, curious, bizarre, and beautiful world."

So half of this review is done for you!
Not necessarily— I do have other things to say about it! Pop Manga Coloring Book includes a mix of clean-line, inked images and other sketchier, "fancy pencil drawings" images. d'Errico also supplies a little color buddy/blob throughout the book named Ayako to provide commentary and moral support. Mostly it says fun, silly reminders about how you're allowed to color outside of the lines if you want, and that you can use any coloring implement you'd like to color in this book. I think Camilla d'Errico understands that sometimes, when an image is beautiful, people might get anxious about coloring it in and "messing it up." She even goes so far as to say that you're allowed to photocopy the pages and practice beforehand if that's you're kind of thing. I know people who do that, but this is the first time I've seen an artist actually suggest it. All the pages are double-sided, and thick enough that markers might not bleed through to the other side; I haven't been able to test that out yet, though.

The surrealism also varies widely, ranging from an image that looks like a melting blob of would-be colors with a face to illustrations from potential comics, stories, or fairy tales. I say "potential stories" because I don't think they are pulled from any coherent manga, but my imagination certainly supplied a few story ideas for the illustrations. Speaking of "manga," it should be fairly obvious that if you're not into the Japanese comic book illustration style, this book is probably not for you. With a name like "Pop Manga," I hope that didn't come as a surprise.

Overall, this is a beautiful book. If you're into the manga style of art and you like coloring, I highly recommend it! I love it so much, I would happily pay money for it!

Dragons of Spring Dawning: The Forgettable One

Have you ever read a book and come out of it feeling as though you've fought with a friend?

Uh oh... What happened?
Unfortunately, not much. That's the problem. I think it's likely that Margaret Weiss and Tracy Hickman heard what was being said about their previous books and took actions to "remedy the problems," resulting in a bland and anticlimactic third installment. This series has been around since the 80s, but many of the things that I mentioned in my previous reviews have been said before. And I noticed a progression of changes from the first book to the second, and from the second to this one.

In Dragons of Autumn Twilight, I felt as though I were reading the annotations of an actual Dungeons and Dragons game. It was silly, but fun overall. Every time the characters camped for an evening, we knew about it, and that's actually how I imagined we were keeping track of their sessions. Granted, that really slowed things down, but not so much that I didn't enjoy the book. So I picked up Dragons of Winter Night, and again thought, "Silly, but fun!" My favorite parts were the most ridiculous, involving Fizban the Wizard's shenanigans and gnomes that had to cram whole paragraphs in the breath most people use for a single sentence. I enjoyed telling everyone who would listen about the dragon balls and how they worked more like defective dragon siren/whistles. Weiss and Hickman fixed some of the major problems slowing the story down, reduced the amount of Deus ex Machinas used, and kept the silly fun stuff. The second book reached an unpolished sweet spot I believed would terminate in a great third book.

Because third time's the charm, right?
Not quite... Not this time. I suppose the writers intended their story to be more serious, or dramatic. Again, in Dragons of Winter Night, I thought they'd achieved a balance between silly and serious. They even went so far as to kill a main party member and not bring him back! I was proud of them for that! But then, in Dragons of Spring Dawning they took it a step further— they took the fun out of it. All the silly humor is gone— no gnomes, barely any Fizban, and no moments or plotlines so ridiculous I laughed out loud. The writing was never that strong or engaging, and the characters were uninspired. Yet, nothing about the series was ever so bad as to make it stand out, either. It wasn't terrible or great. With all the silly removed, it's vanilla. Actually, at times it was downright irritating. For the better part of the series, the main party leader — Tanis Half-Elven— acted like a moody teenager. Instead of a competent, mature leader able to make split-second decisions that might save the world (or at least his companions), Tanis spends the majority of the book mooning over the villain. Yes, you read that correctly. Tanis, who harbors a major boner for a mercenary named Kitiara, discovers that Kit is a dragon highlord in service to the Queen of Darkness. That makes her the villain of the story.

Does this also make her off-limits?
Hell no! He taps that as soon as he gets a chance! Do I begrudge him this momentary sexual weakness? Maybe a little, but I could totally get over that. My issue with this is that afterwards, when he "escapes" Kitiara's sex-lure and returns to his friends, all he can feel is extreme guilt about his little adventure.

Naturally, he tells his friends where he's been and what he's learned! Right?
HAHAHA—! Wait, you're serious? Of course not! He can't just tell his companions— two of which are Kitiara's younger brothers, by the way— that he's been carousing/boning with the enemy! Never mind the fact that he learned valuable intel that could have helped them in their journey, or that keeping the experience to himself gnawed at his conscience until he was practically useless as a leader. Can you imagine how that conversation would've gone?

Tanis: Hey guys, I learned about this thing the Queen of Darkness really wants! And I know where it is, so we have to get it away from her!
brothers: Really? Tanis, where did you get this information?!
Tanis: From boning your sister. Let's go!
brothers: ... We're going to have a serious conversation about this later, but let's take care of the thing that's likelier to save the world first.

For crying out loud, how hard is it?!

Have you noticed that I have zero patience for whiners and liars? Seriously, how difficult is it to just tell the damn truth?! And the lie and guilt just drag on for so long. God forbid they should excise all the brooding and replace it with something more interesting, or hasten the end of the story.

Speaking of story...?
Yes, moving on! The companions' main quest throughout the book is to find someone known as the "Green Gemstone Man," so called because he has a green gemstone embedded in his chest. I have a different name for this character: Dragonlance Jesus. But not just any dragonlance Jesus! This is Tanis Half-Elven's own, personal dragonlance Jesus, who died and was resurrected to free Tanis from the burden of his lies and guilt. Sound like bullshit? That's because it is. Dragonlance Jesus has spent hundreds of years running from the Queen of Darkness because he is the key she needs in order to enter the world and completely take it over. For hundreds of years and on hundreds of occasions, dragonlance Jesus has died only to come back to life in the same body.

He's a lich! Burn the lich!
Not quite! He's actually blood-cursed after accidentally killing his sister. I believe the gemstone embedded in his chest binds him to the curse, and the only way to break it is to break the gem against the column where his sister died. Then, he is free to stay dead. But until then: Don't worry, Tanis! Go right on ahead and stab green gemstone man through the gut with your sword! Feel better? Oh, good. Because that was totally like stabbing the pimple of your own guilt and squeezing until the pus is gone. Now the throbbing ache of your weakness and lies can subside. You have been redeemed, thanks to an unwilling dragonlance Jesus. How fortuitous!

Oh, come on!

You're right. That's horse shit!
Of course it's horse shit! It was the weirdest, most nonsensical, unenjoyable bit of ridiculousness in the entire book. At that point, I could only be grateful that I borrowed the thing from the library and didn't actually pay money to read it. But I read on, hoping that the final fight with the Queen of Darkness, her dragons, and Kitiara would be epic enough to make up for the sophomoric brooding and whining I'd been subjected to thus far. Our adventurers were down one more character, having lost their useless but lovable grandfather dwarf to a heart attack. That left six fighters against an evil goddess and her armies. What will happen next?! They get caught, obviously. They walked straight into the enemy encampment in an effort to save their elf-maiden general, and they get caught. Sure, they donned disguises first, pretending to be officers of the enemy army with prisoners. But they weren't very good disguises, and all of them but Tanis get tossed into jail and eventually have to break free.

How did they escape?
Honestly? I don't entirely remember; I did mention this was the forgettable one of the series. Not exactly the best way to end things. I believe they escaped using a combination of Deus Ex Machina, misdirection, and tons of dumb luck. They had the green gemstone man with them in prison, and when they break out, so does he. He immediately runs for the place his dead sister is calling him from, finds the column at which he killed her, and flings himself upon it! Thus, dragonlance Jesus finally dies, and the Queen of Darkness has the door of the world slammed in her face. She never even made it into the world, mind you, so the companions never actually had to fight a goddess; only her influence. After that, it was all chaos and shenanigans. I think at that point, the writers stopped caring, and so did I. They built up this antagonist for the entire series, and dumb luck defeats her. We didn't even get an epilogue of some sort about what the characters did afterward.

Overall, I was disappointed with this book. It was less fun than the previous two, more brooding, irritating, and anticlimactic. Weiss and Hickman did leave a few scattered hooks for later books regarding Raistlin and his powers, and I'm curious to find out more about the only truly interesting character in the series. However, after this last installment, I can't say that I'm in a rush to read the other books. I wouldn't recommend this book, unless you really want to find out how the series ends. Or, if you're not a book completionist, let me just tell you that they win. Make up whatever scenario you like for how they do it, and it'll probably be more satisfying than this was.

The Rooftop Growing Guide

Another gardening book?

Yep! I'm pretending to be a Sim, in the hopes that reading enough books about a subject will transform me into a master gardener before I ever touch dirt. Remember, I'm also working from a disadvantage: ignorance in gardening presents itself first as a black thumb. At least I'm hoping it's my ignorance of proper gardening techniques that murders the plants, and not a genetic predisposition to screwing up green spaces. 

Originally, I ordered this book to help me with my container garden, because obviously a rooftop garden means a container garden on the roof. At least, that's what I thought. I was pleasantly surprised to learn that is not always the case! It should've been obvious to me from the title and picture on the cover, but Annie Novak meant nothing so small as a container when she wrote this book. After all, look at the flat roof on that building and the size of the plants atop it!

I think this book is aimed primarily at people living in dense urban zones where there aren't many green spaces. Basically, since real estate is scarce and high cost, they instead turn to their roofs. It makes sense, really. On the roof of a building, you don't have to worry as much about whether your building or the next is perpetually casting shade over your plants, or if you have enough space in your tiny backyard to plant all you want. What if you want to plant something in particular, but the soil conditions in your area are not optimal for your new green darling? Rooftop gardening is the perfect opportunity to create your own optimal growing settings.

If only it were as easy as seeds + dirt + water. My strawberries
refuse to grow, and it makes me sad!

Before you get to thinking that it's as easy as throwing some dirt on your roof and some seeds on top of that, let me just tell you: No, not quite. It is still gardening, but with a few twists! These include whether or not your roof can even properly support a garden! Let's face it, buildings are made to sustain a certain amount of weight. Soil, plants with their roots, and especially the water intended to make everything grow, is likely to add weight the building may not support. That issue is fairly straightforward, but also stop to think about how you'll irrigate your rooftop garden, or how the roof microclimate will affect your plants! Yeah, I went there: I said "microclimate." No, rooftop gardening is decidedly not as straightforward as tossing some dirt and seeds up there and hoping for the best.

At this point, you're probably wishing I'd just get to the point and tell you how it would benefit you to get this book. First and foremost: Do you have a flat roof to grow things on? If you do, you will find this book interesting and helpful, whether you intend to have a small herb garden or a full-blown farm. The writing is engaging, and Novak has anecdotes from other rooftop gardeners to augment her own knowledge. Chances are that if you have a question, she will likely address it or has some other resource to offer. She covers topics ranging from assessing your rooftop —can I even grow here?— and pests, to choosing whether to grow in containers or greenhouses, or green roofs. And of course, there is also the ever present chapter on planning your garden. Yes, if I've learned anything from all these gardening books, it's that besides remembering to actually water your plants, the most important thing you can do is to plan your garden.

However, since I do not have a flat roof on which to grow things, I found The Rooftop Growing Guide to be theoretically interesting, but ultimately impractical. A more general gardening book would have suited me better, but that is not Annie Novak's fault. So if you have a flat roof, I absolutely recommend this book. And if you don't, you might still find it interesting to read.

I received a complimentary copy of The Rooftop Growing Guide from Blogging for Books in exchange for a fair and honest review.

Edward's Menagerie: Birds!

My youngest brother loves birds, and I love making things. So when I came across Edward's Menagerie: Birds by Kerry Lord on Amazon and saw that they were having a book sale, I made a deal with my dear bro. If he got me the book for Christmas, I would make him a bird for his birthday. Well, he kept up his side of the bargain, and I became the proud owner of this avian themed collection of patterns. Then, of course, my schedule blew up and I've yet to start the toucan I promised him. His birthday was four months ago.

Worst. Sister. Ever.
Yeah, I know. But he'll get his toucan! I just hope he names it something more interesting than Kerry Lord named hers. All of the birds in this book have their own names and little bios stuffed full of personality. It's disgustingly adorable, for the most part. But then you get to the toucan, and the description was so prissy it actually turned me off to the entire pattern. Since all of the patterns have little bios, though, I think this could also work as a little children's book. Not the kind that you hand to itty-bitties to tug on, but you could read it to them and show off the pictures. Or, even better, make the toy and then tell them the pre-made story behind it!

Beyond that, there are some things you should know before you go out and buy this book...

1. All the patterns are written with European abbreviations. I know this is a deal-breaker for some people, but the European abbreviations don't make it incomprehensible. Additionally, Lord even points out in a couple of sections what the U.S. equivalents are for what she's talking about.
2. The birds are sorted into three levels of difficulty, so if you're a complete beginner you can start at level 1 and if you feel the need for a challenge you can jump to level 3. I think you could make all the patterns with only a little experience and some tenacity.
3. The patterns are split in different parts throughout the book: standard forms, levels 1-3 birds, and technicals. So if you wanted to make Ina the Stork (level 1), it bids you to start the body, neck, head, and wings from the standard forms. The pattern for the legs and beak are on the same page as Ina's bio. To put it all together, you would refer to the "technicals" section; that covers all the additional little details.
4. Of the 40 patterns listed in the book, there are 3 distinct: owls, penguins, and chickens. Think about that. You don't just get an owl, or a penguin, or a chicken. You get a barn owl (and 2 other subspecies buddies), an emperor penguin (and buddies), and a silkie chicken (plus a regular hen and a rooster). That's just cool.

If you appreciate birds, attention to detail, and some realism in your toys, I would highly recommend Edward's Menagerie: Birds. Even if you're a complete beginner, you can find something here that would be satisfying and fun to make. The patterns look solid, and the directions for all of the toys are "baby friendly" (none of them use extra little bits like buttons that babies and younger children might choke on). As always with crafting books, I recommend getting the print version of this book— especially given how the patterns are separated in the different sections. So have fun with it, guys!

P.S.
I hope I'll have an opportunity to show off my brother's toucan soon, along with a blue-footed booby for good measure. Because how could I resist making a booby or two?

Commute Saver: Kushiel's Dart

If you have kept up with my blog, you may remember that I have a long commute that I absolutely hate. I listen to audio-books to make it bearable, but for a month or more I kept forgetting to swap out what I had available. Luckily for all the drivers I share the road with, I finally swapped out Stephen King's The Shining for something less likely to fuel a deadly, maddening rage: Kushiel's Dart, by Jacqueline Carey.

First things first: this book is amazing. The whole series is phenomenal, actually. This isn't the first time I've listened to it, and it's a wonderful experience every time. I mean that to the point where I might sit in my car for a few minutes longer after I get home just for a bit more story. I've been taking long walks the past few days— despite the high temperatures— just to have an excuse to immerse myself in the world of Terre d'Ange longer. This is due in part to the writing, of course. But before I get to the story, I want to point out that the voice actress for this series— Anne Flosnik— has a beautiful and captivating voice. I can, and do, listen to her for hours. It's a little like listening to a long-time friend tell me about her adventures as a super sexy spy.

Begging your pardon?

Well, that's the gist of the story. Phaedre nó Delauney is a courtesan, trained as much to observe and analyze behavior as in the arts of pleasure. When Phaedre's bond-master is slain and she— along with her bodyguard companion— are sold into slavery in a hostile country, they must pool their resources (wits and talents) to escape captivity, return home, stop a war, and save their monarch from certain death. On the off-chance that you are not yet convinced you must read this book, I add this: there are sex scenes and they are beautifully balanced. There are not too many of them, but not too few, with enough flowery writing not to make it seem vulgar, yet let you know exactly what is happening. They are hot and— like Goldilocks' bed— just right.

Actually, I daresay it's unfair to refer to the sex scenes as "just right," when the entire story hits a phenomenal sweet spot. My favorite part about this package is probably the complexity of the characters. Phaedre's beautiful face and often submissive demeanor hide a cunning mind capable of matching wits with Moriarty-esque antagonists. She is often underestimated, and she uses that to her advantage. But she is also rebellious and proud, which lands her in deep waters with deadly undertows of trouble. Even the side characters have feelings, traits, and multiple drives. I often see the intellect and talents of side characters compromised to make the protagonist appear smarter and more capable. Personally, I consider that to be lazy writing, and am happy to report that you will not find that in this book. But you will find fencing, fighting, torture, revenge, giants, monsters, chases, escapes, True Love, and miracles...

To sum up, Kushiel's Dart is an amazing beginning to an epic series. It makes me squeal with unabashed delight, and I recommend it to anyone who will listen. Now you know you need to read it. Will you read it or listen to it on audio? You won't be sorry, either way.

Stitch 'N Bitch: The Knitter's Handbook

I suck at knitting. No matter how hard I try, I can't seem to go beyond the absolute basics— straight knitting needles and square shapes. That isn't for lack of trying, or lack of being informed, though. After falling in love with Stitch 'N Bitch: The Happy Hooker, I was sure that Debbie Stoller's original knitting handbook would be the perfect way to teach myself to knit! I wasn't exactly wrong... But my increased knitting knowledge has not helped me complete complex projects. And why? Because if this book has taught me anything, it's that I need five times the tools and a blood sacrifice to achieve what I could with one crochet hook. But let's pretend for a minute that you're already a knitter and are used to these blood sacrifices.

I keep sheep for this express purpose!
I would keep sheep for the eventual yarn but if you want to play it biblical and keep them handy for blood sacrifices, that's cool too, I guess. You do you.

So, you're already a knitter: Jump into the deep end with 40 knitting projects of varying difficulty! They range from quick scarves and hats to marathon-style, focus-heavy sweaters and blankets. There is even a pattern for a cat bed in here. I find that one amusingly pointless, since my cat would prefer to sleep on a pile of clean clothes or on my face over her own bed any day.

Tools of the trade: Crochet hooks (top left), circular knitting needles
(top right), straight knitting needles, and resource book.

The only thing I found frustrating (and this has more to do with knitting as a craft than with the book) is that I wanted to make some of these hats and they required two or three different types of needles. That means I would need to have between five and seven needles for one project. Is that Debbie Stoller's fault? Or the fault of the designers featured in this book? Absolutely not! I appreciate that they let me know beforehand so I didn't waste my time starting a project that I'd never finish for lack of owning every damn knitting tool on the market. But we're pretending you're already a knitter, so maybe you own all that already. Congratulations! These are some cool-looking projects! My favorites are the different bags. As I was flipping through the book again today, I got the itch to make all of them: backpacks, purses, and totes. They look complex, but are fairly straightforward to make. All patterns contained herein include a briefing on necessary materials, the gauge you should be aiming for, finished size, and best yarns to use. All patterns were screened by a technical editor as well, so they're pretty much guaranteed to work. I certainly haven't found any technical problems with them yet.

What if I'm a complete beginner?
Fear not! This is still a fantastic, beginner-friendly resource book. The beginning half of the book is dedicated to teaching you knitting basics and some additional niceties. One of the things I love about the Stitch 'N Bitch series is how in-depth it goes. While some books will attempt to teach you as they go along with the pattern, Stoller does it all up-front so you can try tackling those tougher projects after some reading. Even if you've never held a pair of knitting needles and yarn, she explains the process in a clear and entertaining manner. You could, of course, just read the portion on how to start your project and jump into the patterns. You can use this book however you damn well please. But I think you'll have an easier time if you actually read some of it first.

You know what else is pretty cool about this? Stoller mentions several different resources within the book to further educate yourself on the subject of knitting! She mentions multiple books, magazines, and websites for additional reading. If you want to shop for fancy yarns at discount prices, she points out the best way to search for them. This book is full of handy tips and tricks for getting the most out of your knitting experience. If you're interested in the craft, I highly recommend checking this book out. It can only make your life— at least the knitting portion of it— easier. Good luck, and happy knitting!

Shenanigans Continued: Dragons of Winter Night

Would you just look at these goofballs? Two of them aren't even facing the right
direction to fight a dragon!

My research into the D&D world and lore continues with the second volume of the Dragonlance Chronicles! Last time, our reticent adventurers faced one dragon, summoned two and a half Deus ex Machinas, and seriously considered putting on their big boy/girl pants before getting to the business of saving the world.


Two and... one half? You hadn't mentioned this before!
Don't worry— the other half shows up in Dragons of Winter Night. I'm not certain what possessed authors Weiss and Hickman to go and kill three separate characters in their previous book, then immediately resurrect two of them. However, I can tell you that it was damn obvious the third one was either not dead or wouldn't stay dead long. And I was right— but this time I was pleased at the "resurrection." Fizban the wizard is a weird and sometimes bumbling character, but he's my favorite and I was happy to see him again— despite receiving ZERO explanation as to how or why he shows up again. One of the other characters literally just stumbles across him midway through the book— he was taking a nap in an out of the way corner of a dragon's lair— and they have this "moment."

Like a sweet and romantic moment?
Nope! It ran a little something like this:
Tas: F-Fizban!
Fizban: WHERE?! ...wait, isn't he dead?
Tas: That's what I thought! I saw you fall in a flurry of chicken feathers!
Fizban: Chicken feathers? How dreadful!
Tas: I wanted to go back and find your body, but was assured there was no point— but your memorial was beautiful!
Fizban: I didn't realize I'd kicked the bucket... Was there a twenty-one gun salute?
Tas: What's a gun?

It went on like that for a few pages. Yes, it made that much sense. What this series does unexpectedly well is ridiculously random little details of the "what the fuck?" variety. Those are the best parts of the story, and they are not the main ones. I believe these are the unplanned, role play portions of the book. A group of weirdos got together, had fun, and this series is the result.

So it still feels like a series of dice rolls gone right?
That feeling is drastically reduced in Dragons of Winter Night. The story flows considerably smoother, even though our heroes have been split up into two groups. Each group seeks the ultimate weapon to combat the oncoming dragon threat. At first, it seems that they all must get together and discover the truth behind the mythical dragonlances— the only weapon thought to be strong enough to penetrate a dragon's hide. But then we find out that those aren't the only or most important weapon.

What IS then?

Dragon balls. Our heroes spend nearly the entirety of the story searching for orbs made by the most powerful of wizards in previous ages. Any one of these dragon balls—so called because they've been imbued with the essence of dragons— will summon all dragonkin in the near vicinity because reasons. We are not privy to what these reasons are. The dragons cannot refuse the siren call of the orbs. This seems a terrible idea, given that the balls don't actually control the dragons; just call them over. Why not just get a dragon whistle? Or some dragon pheromones? No, instead they go through all the trouble to find these rare dragon balls that they can't even use without losing their minds.

Does that count as spoilers?
Have you learned nothing from my reviews? Nothing is sacred! Besides, I'm not revealing more than the chapter titles do. You can get a fair idea of what will happen in the story simply from reading the chapter titles. Each one gives you a "preview" of what happens therein. For example, in one chapter, an elf king named Lorac tries to use a dragon ball to save his land. "What will happen next?!" I wondered to myself. I didn't wonder long, for the first thing I read on the next page was, "Visions shared. The Death of Lorac." Weiss and Hickman: Scheherazade they are not.

Are you sure you're enjoying these books?
I am, I promise! They're only a little frustrating sometimes— when they slow down for their little romances or give away what's going to happen in the chapter title. The random banter between characters is entertaining, and the storytelling has smoothed. Overall, the experience is improved. So I can recommend Dragons of Winter Night more than the previous book! Go check it out!

Challenge Mode: ON

As you may recall from a previous post (if you're keeping track), I mentioned that I will be heading to StocktonCon on August 20th and 21st. Last year, I did very well at this convention, so I have high hopes of repeating that success this year! Of course, that'll never happen unless I set high goals, sooooo...

Behold: My goal!

It's a box...
Yes, an empty box! And, to be fair, it isn't even all that big. My goal is to fill this box twice before StocktonCon with all sorts of crochet goodies. I'm thinking an assortment of hats, gloves, and amigurumi ought to do it. I've already gotten started, but items will make it into the box as they are completed (all loose tails tucked in, faces made, ready to go home). I have project ADHD, hence why this box is still empty. I probably have five jellyfish amigurumi and multiple sets of gloves that are in "finishing stages" limbo.

Okay, given how long it takes to crochet some of these projects, I guess that's a challenge...

The bag of poly-fill is bigger than
the goal box...

Actually, that isn't the challenge. Seeing as how I've got two and a half months to work on this, filling the box only twice is a smart goal. The challenge is to make things using only my current, accessible stash of supplies. Because, you see, I have so many more supplies besides what is pictured, but some of them are currently in storage; and they will not come out until I've finished what I have on hand. So there lies my challenge: emptying out the bags and bins of yarn I can reach by convention-time in August. Expect more pictures of my progress as I fill up the box! I'll be sure to have some completed projects in there by next week! Oh, and if you have ideas on how to make this additionally challenging, or have requests— for toys, hats, or a particular style of gloves— that you'd like to see in there, let me know by leaving a comment!